Film Grain Effect

Grain amount
Grain size

Fine → chunky film texture.

Softness

Sharper noise → softer film grain.

Luma target
More grain in shadows

Add Film Grain Online (Private + Full Resolution)

Film grain is the subtle (or not-so-subtle) texture that makes photos and video feel analog, cinematic, and alive. It can reduce that “too clean / too digital” look, help gradients feel less flat, and add character to posters, social images, editorial photos, and UI mockups.

This Film Grain tool is built for speed and privacy:

  • Single image workflow (drag & drop, click to upload, or paste from clipboard)
  • Live preview while you dial in the look
  • Full-resolution export in the same format you uploaded (JPEG/PNG/WebP)
  • No uploads — everything happens in your browser

What Is Film Grain?

Film grain comes from the physical structure of photographic film. Traditional film uses light‑sensitive particles (silver halide crystals in black‑and‑white; dye clouds in color film). These particles aren’t perfectly uniform, so when you expose and develop film, you get a naturally random texture.

That texture does a few useful things visually:

  • Adds “tooth” to smooth areas like skies, studio backdrops, and skin tones
  • Softens harsh digital perfection without blurring details
  • Breaks up banding in gradients (especially when compressing images)
  • Creates a cinematic mood (especially grain that lives in shadows)

Grain can be fine and subtle (modern 35mm/portra vibes) or chunky and gritty (pushed ISO, indie film look, vintage print).


Quick Workflow

  1. Upload an image

    • Drag & drop into the preview area
    • Click to select a file
    • Paste from clipboard (Ctrl/⌘ + V)
  2. Adjust the look

    • Amount (how visible the grain is)
    • Grain size (fine → chunky)
    • Softness (crisp grain → creamy grain)
    • Luma target (where grain is strongest)
    • Monochrome vs subtle color grain
  3. Lock or randomize the pattern

    • Keep the same look by keeping the same grain pattern
    • Tap Reseed to generate a fresh pattern
    • Tap Surprise me for a curated film-ish preset
  4. Download

    • Export at full resolution in the original format

When Film Grain Is the Perfect Move

Photography

  • Portraits: adds texture and mood; can help skin feel less “plastic”
  • Night / low light: brings a pushed-film vibe without destroying edges
  • Travel & street: gives authenticity and documentary character

Design & Branding

  • Posters & album covers: grain adds energy to flat areas and typography
  • Brand campaigns: consistent grain can unify a set of images
  • Editorial / blog headers: makes stock photos feel less stock

Social & Content

  • Instagram carousels / stories: a subtle grain layer can make sets cohesive
  • YouTube thumbnails: micro texture can add punch without sharpening halos

UI / Product

  • Backgrounds & hero sections: film grain can reduce sterile gradients
  • Mockups: adds realism to “screen + environment” composites

Controls Explained

Grain amount

Controls how strong the texture is.

  • 10–25: barely-there realism (great for clean photos)
  • 30–55: noticeable cinematic texture
  • 60–85: strong analog vibe
  • 90–100: gritty, stylized, intentionally heavy

Grain size

Changes how large the grain “cells” feel.

  • 1–2: fine grain, modern film, subtle texture
  • 3–5: classic film texture, obvious but not chunky
  • 6–10: big, gritty grain (vintage print / lo-fi)

Softness

Softness blurs the grain itself (not your photo). This makes grain feel smoother and more film‑like, especially at higher amounts.

  • 0–1: crisp, sharp grain (can look punchy)
  • 2–3: creamy grain (often the most film-ish)
  • 4–6: very soft grain (great for gentle texture overlays)

Luma target

This decides where the grain is strongest:

  • Negative values: more grain in shadows (classic cinematic)
  • Near zero: more grain in midtones (balanced, editorial)
  • Positive values: more grain in highlights (stylized, “printy”)

If you’re not sure, start with shadows. That usually feels the most natural.

Monochrome grain

  • On: grain is neutral (no color speckling). Most “film” looks feel best here.
  • Off: subtle color variation, which can add realism in certain looks (or a slightly more modern sensor‑grain feel).

Reseed + Surprise me

Grain is generated from a random pattern. This tool gives you two ways to control that randomness:

  • Reseed: same settings, new pattern
  • Surprise me: a curated, film-ish combination of settings + a new pattern

Use reseed when you like the current look but want the grain to fall differently.


How To Get High-Quality Results

Film grain is easy to overdo. These tips keep it looking intentional:

Start subtle, then build

A common workflow:

  1. Set Amount around 25–40
  2. Set Size to 2–3
  3. Add Softness 1–2
  4. Choose Luma target (usually shadows)

Then increase Amount only if you still want more texture.

Match size to the image

  • High-res photos: grain can look too fine at Size 1–2; try 2–4
  • Small web images: chunky grain can overwhelm; try 1–3
  • Posters / big layouts: chunky grain can be a style choice; try 5–8

Use shadows for “cinema”

Targeting shadows keeps highlights cleaner, which feels closer to how many film stocks behave.

Add softness when amount is high

If Amount is 70+, a little softness prevents harsh “static” texture. Try Softness 2–4.

Keep monochrome for most photos

Monochrome grain usually looks the most natural. Enable color grain only when:

  • You want a stylized vibe
  • The image is already heavily graded
  • You’re aiming for a modern, noisy aesthetic

Check smooth gradients

The best place to judge grain quality is:

  • skies
  • studio backdrops
  • soft shadows on walls
  • blurred backgrounds

That’s where texture either looks delicious… or distracting.


Style Recipes

Use these as starting points (then tweak to taste):

Subtle 35mm texture

  • Amount: 30–45
  • Size: 2
  • Softness: 2
  • Luma target: -40 to -60
  • Monochrome: On

Editorial / magazine

  • Amount: 45–60
  • Size: 2–3
  • Softness: 1–2
  • Luma target: -20 to 0
  • Monochrome: On

Gritty indie / pushed film

  • Amount: 75–95
  • Size: 4–7
  • Softness: 1–3
  • Luma target: -55
  • Monochrome: On

Color grain / modern noisy look

  • Amount: 55–75
  • Size: 2–3
  • Softness: 1
  • Luma target: 0
  • Monochrome: Off

Troubleshooting

“It looks like digital noise, not film grain.”

  • Reduce Amount and increase Softness
  • Keep Monochrome on
  • Try targeting shadows

“The grain is too chunky.”

  • Lower Size
  • Lower Amount
  • Increase Softness slightly

“The grain is barely visible.”

  • Increase Amount
  • Reduce Softness
  • Move Luma target toward midtones (closer to 0)

How It Works (Simple Explanation)

This tool generates grain as a controlled noise pattern and blends it into your image:

  1. A repeatable grain pattern is generated (seeded randomness)
  2. Grain size controls how “fine vs chunky” the pattern feels
  3. Softness gently blurs the grain pattern to feel more organic
  4. Luma target applies more grain to shadows/midtones/highlights
  5. The grain is blended into the image while preserving details

Everything is processed via browser Canvas APIs.

Frequently Asked Questions

JPEG, PNG, and WebP. Your export keeps the original file format and extension.

No. The effect runs entirely in your browser. Nothing is sent to a server — your image stays on your device.

Film grain is a texture that feels organic and varies across tones (often more visible in shadows). Digital noise is usually harsher and can create color speckles. This tool is designed to mimic film-like texture with tonal targeting and controllable size/softness.

It decides where the grain is strongest: shadows, midtones, or highlights. For a classic cinematic look, targeting shadows usually feels most natural.

Grain is generated from a random seed. If you want the exact same look again, keep the same seed. Tap “Reseed” (or “Surprise me”) for a fresh grain pattern.

Yes. Once the page is loaded (or installed as a PWA), it works offline because processing is done locally.

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